Search This Blog

Wednesday, 1 April 2026

THE 50 GUITARS OF TOMMY GARRETT…IN LOVE AND MORE

THE 50 GUITARS OF TOMMY GARRETT…IN LOVE AND MORE

The ‘orchestra leader’ Tommy Garrett made a hit on the easy listening scene from the early 1960s into the early 1970s with a unique arrangement of 50 Guitars into an orchestra supported ostensibly with a light percussion section, and occasionally with a flautist, harpsichord player and oboe player. The result is to elevate the guitar – and an acoustic guitar, mind you – into the equivalent of an orchestral paradigm all by itself. I am not making this claim lightly. Thanks to the first-rate digital remastering supervised by Mr Garrett himself, the 50 guitars substitute for cellos, violas, violins and piano. Also, the resonance of the guitar strings within each of their accompanying wooden housing, amplified by the resonance of massed and synchronized solo and coordinated playing fills the recording space with pure analogue sound. In fact, play the Garrett remasters on any CD player hooked up to a vintage amplifier from the mid-1960s onwards, you’ll hear something magical about the spatial presence of 50 guitars in unison. Some of you might find this too technical, but this is the genius behind Garrett’s guitar orchestra concept. Moreover, in every one of the remasters by GARRETT MUSIC ENTERPRISES, there is a declaration in the liner notes that many ‘solo greats’ made up Tommy Garrett’s ‘50 Guitars’ – joining the worlds of jazz, pop and other hybrid styles: Laurindo Almeida, Herb Ellis, Barney Kessel, Glen Campbell, Howard Roberts, Tiny Timbrell, José Barroso, Al Viola, René Hall, and many more. So this is a real ‘orchestra of guitarists’ recording for you!

 
Let me start this review by highlighting one of the first in his ‘love/Valentine’s themed’ vinyl LPs: 50 GUITARS IN LOVE (Liberty Records – LSS-14037, STEREO IN 1966 for US and German markets) from 1966 produced in both mono and stereo pressings. 

A1

Michelle

2:22

A2

Strangers In The Night

2:32

A3

I Left My Heart In San Francisco

2:18

A4

Lara's Theme From "Dr. Zhivago"

2:55

A5

Our Day Will Come

2:20

A6

You Don't Have To Say You Love Me

2:41

B1

The Shadow Of Your Smile

1:58

B2

Escape To Love

1:53

B3

Sure Gonna Miss Her

2:35

B4

Moon Guitar

2:24

B5

What Now My Love

3:18

B6

Dream Theme

With just 12 tunes plucked from the pop charts, along with a few Garrett originals, the 50 Guitars manage to evoke a mood that envelopes the listener in warm, poignant sound. Even if you are listening through standard two channel stereo, the sound goes all around your listening room. This draws you indelibly into the music. The Beatles’ ‘Michelle’ is no longer just evocative of Paul McCartney’s vocal. It is a ballad for a candlelit evening in your dining room. ‘Strangers in the Night’, ‘Lara’s Theme’, ‘The Shadow of Your Smile’, ‘Our Day Will Come’, ‘Sure Gonna Miss Her’, is arranged almost as an invitation to do a twirl around your living room or the restaurant where the album is played.

The next album featured in the 3CD compilation, MORE 50 GUITARS IN LOVE, features a thoroughly 1960s hip beat on ‘You’ve Lost that Lovin’ Feeling’ infused with Latin tones in the varied mid-tempo guitar playing. Francis Lai’s ‘A Man and a Woman’ takes you to Rio de Janeiro, Bogota, or Quito, and not Paris, with its mid-tempo Latin rhythm. The selection of the Ed Ames hit ‘My Cup Runneth Over’ is intuitive since the melody suits the 1960s Latin beat of celebrating beautiful womanhood with lightly lilting, gentle melodies that are both relaxing and lounge favourites at the same time.

I would also highlight another rare LP to CD remaster: the 50 Guitars 1963 LP MARIA ELENA remastered by EMI Singapore for CD as part of the company’s centenary publicity:

 

Track listing:

A1

Maria Elena

Written-By – Lorenzo Barcelata

A2

Jungle Drums

Written-By – Ernesto Lecuona

A3

Anna

Written-By – R. Vatro*

A4

Without You (Tres Palabras)

Written-By – Osvaldo Farres*

A5

Cherry Pink And Apple Blossom White

Written-By – Louiguy

A6

Taboo

Written-By – Margarita Lecuona

B1

El Choclo

Written-By – E. Freeman*, M. Garrett*

B2

Poinciana

Written-By – Nat Simon

B3

Brazil

Written-By – A. Barroso*

B4

Amapola

Written-By – Joseph M. Lacalle*

B5

Flamenco Love

Written-By – F. Shuman*, J. Eaton*, L. Wagner*

B6

The Breeze And I

Written-By – Ernesto Lecuona

 As you can see, this was an earlier foray by Garrett and company into the more traditional Latin songbook. The celebration of melodic compositions by Ernesto Lecuona and Ary Barroso are in there, along with standards associated with the Latin big band like ‘Cherry Pink And Apple Blossom White’ and ‘Amapola’. This is still lounge music ala guitar style but with a cool edge and a mood of gentle celebration of life and beauty. If you are living in, or travelling through a small quaint Central American plaza, or somewhere in Central Spain, in the historic towns of Salamanca, Zamora, Avila, Segovia, Valladolid and Toledo, Tommy Garrett’s MARIA ELENA is the perfect soundtrack for your walking journeys. Or a video filmed from your digital camera perhaps? Imagine, look around and that beautiful lady is looking back at you with Spanish eyes… Above all, this album stands as testimony to the talent in 1960s easy listening. Here's a sample of the original liner notes by Nigel Hunter celebrating the 50 Guitars' contribution to the glory of guitar music:

 

In 1964, the 50 Guitars released a themed celebration of Italian popular standards and folk tunes. Simply titled GO ITALIANO, it featured a more subdued arrangement – but a still luxurious soundstage – by addressing the mood of an Italian evening party. Not the intense dinner and dance ‘fever’ but one that takes you to a high point in Milano, Venezia, Roma or Firenze to look over the city lights while you dine in style. The track list says a lot: 

A1

O Sole Mio

Arranged By – E. Freeman*, T. Lesslie*

2:24

A2

Al Di La

Written-By – Donida*, Drake*

2:51

A3

Summertime In Venice

Written-By – Icini*, Sigman*, Pinchi

1:34

A4

Non Dimenticar

Written-By – Redi*

2:27

A5

Return To Me

Written-By – Lombardo*, Di Minno*

2:05

A6

Love Theme From La Strada

Written-By – Galdieri*, Rota*

2:25

B1

Volare

Written-By – Modugno*, Migliacci*, Parish*

2:30

B2

Come Back To Sorrento

Arranged By – E. Freeman*, T. Lesslie*

2:23

B3

Mattinata

Arranged By – E. Freeman*, T. Lesslie*

2:57

B4

Ciao Ciao Bambina

Written-By – Verde*, Modugno*, Parish*

1:56

B5

Anema E Core

Written-By – Goell*, D'Esposito*, Manlio*

2:05

B6

Arrivederci Roma

Written-By – Sigman*, Rascel*

Garrett Music Enterprises remastered GO ITALIANO with another equally rare LP, 50 GUITARS FOR MIDNIGHT LOVERS.

Shangri-La

2:55

Live For Life

2:49

(They Long To Be) Close To You

2:09

Theme From Romeo And Juliet

2:49

Midnight Lovers

2:14

It's All In The Game

2:08

Twilight Time

2:15

Come Saturday Morning

2:00

Armen's Theme

2:45

I'll Never Fall In Love Again

2:30

Yesterday, When I Was Young

2:40

Everybody's Talking

2:30

MIDNIGHT LOVERS is probably one of the final albums under the ‘50 Guitars’ attribution. This was a product of 1970. Songs were still beautifully composed with lush passages, but the beat was heading back towards some version of rock and improvisation. MIDNIGHT LOVERS captured the last of the 1960s greats (listen to ‘Shangri-La’, ‘Twilight Time’, ‘I’ll Never Fall in Love Again’ and ‘Everybody’s Talking’) with Tommy Garrett arranging for the previous decade but with a few evergreen surprises. ‘Live for Life’ presents itself as an instrumental bridge between Paris, London and New York with the guitars intoning many soft romantic moments. Nothing Latin about it, just a dreamy, nearly seductive midnight mood. The Carpenters’ hit ‘(They Long To Be) Close To You’ is also done in the same midnight mood, but featuring a gorgeous standout solo oboe floating over the gentle guitar melody. ‘Come Saturday Morning’ is as 1970s as the 50 Guitars go in the direction of embracing folk/pop, while ‘Yesterday, When I was Young’ feels almost wistful towards the 1960s. But all in all, this is romantic guitar from the 1960s. If you get the chance, grab it! 

 

ALAN

April 2026

Monday, 23 March 2026

EASY LISTENING SOLO VIOLIN – THE GENIUS OF HELMUT ZACHARIAS IN A BIG BOX CD REMASTER…LISTEN TO HIS VERSION OF ‘CLAIR’ and ‘SOMETHING’!

 

Think of what it would sound like having a lighthearted style of playing violin fronting a small 10-15 piece orchestra…This is the sound of Helmut Zacharias. Hailing from a background comparable to the famous Bert Kaempfert big band, Zacharias left the bitter taste of World War Two Germany behind and played music for the masses – globally. According to many online biographies, he was influenced before and during the war by the styles of Stephane Grapelli and Django Reinhardt. These two capture a blend of what we call ‘jazz’ today and gypsy melody. In the hands of Zacharias, a solo violin can dance, and ‘sashay’, and evoke all kinds of wonderful happy gyrations in your mind. It can be feminine and masculine depending on how you match a mood or scene to.

I post this review having recently obtained a set of the BMG/Electrola remasters on CD of nearly 23 of his short and long play vinyl albums. This is simple titled HELMUT ZACHARIAS BIG BOX – THE LEGENDARY ORIGINAL ALBUMS. A 5CD set sequencing his albums chronologically from the early 1960s through to the late 1970s. Like his contemporary Kaempfert, he stayed consistent in his style right up till the 1970s. I suppose one might try to compare him with Franck Pourcel’s early albums where he played solo violin in front of a lush string orchestra, or even Herman Clebanoff of the equally renowned Clebanoff Strings. But after listening to the selections in this box, one cannot help but admire the distinctiveness of Zacharias’s style.

I highlight for instance the following choice tracks from this ear-watering selection of his greatest albums according to the people at ELECTROLA, a subsidiary of BMG company.

L’Important cest la rose :  the violin’s long notes ring out the mental imagery of Parisian elegance as if this tune was meant for a romantic movie like ‘Sabrina’, ‘Forget Paris’ or the TV series ‘Emily in Paris’. Zacharias amazingly sounds as French as Grapelli, his inspiration. 

Cherry Pink and Apple Blossom White : this is forever associated with the trumpets, bongos, and saxophones of a Latin big band, but Zacharias makes it all his own with a special violin lead that evokes an elegant Viennese ball adapting to rhumbas and cha-chas.

A Man and a Woman : Francis Lai’s classic is no less romantically dramatic played with a solo violin attentive to its swirling musical passages.

Something : on CD TWO transforms the Beatles’ classic from a pop song into a literal flight of fancy from an elegant concert hall to enjoying inflight service in business (or first) class where meals and drinks are unhurried, and tinged with many sweet destination dreams. This is truly a classic and this is also captured in a live TV performance on YouTube by Zacharias.

Claire/Claire : the Gilbert O’ Sullivan pop standard ‘waltzes’ under Zacharias’ arrangements between a sunny summer picnic on the lawn to a hilarious gathering of friends in the porch partaking in a serving of lemonade on a warm afternoon.

Can’t Take my Eyes Off You : one would never have thought of the Zacharias sound applied to one of the most distinctive ‘re-hits’ between the 1960s and 1990s – but it works as an anthem to boy meets girl and vice versa situations. The violin however brings the melody into a classy afternoon lounge looking onto the street, while you watch people go by while sipping tall coffees!

This post would be quite unwieldy if I posted all of the track lists. But for starters the tunes below comprise just CD ONE. Released in 2023, there are still many pieces – both new and second hand – available on many retail sites such as eBay or this one: https://www.grooves.land/zacharias-helmut-big-box-die-legendaeren-originalalben-electrola-cd-pZZa1-2100857651.html. You can see from my pictures above how the original album covers are cleverly juxtaposed on the cover, literally offering a kaleidoscope of Zacharias’s work.


Disc 01

 01. "L'important c'est la rose"

02. "What A Wonderful World"

03. "A Man And A Woman"

04. "Step Inside Love"

05. "Love And Yasmin"

06. "Words"

07. "Honey"

08. "The Glory Of Love"

09. "Can't Take My Eyes Off You"

10. "Love Is Blue"

11. "Falling In Love Again"

12. "Someone To Watch Over Me"

13. "Mexico Melody"

14. "Olympia Melody"

15. "Golden Bell Of Mexico"

16. "If I Were A Rich Man"

17. "Anatevka (Fiddler On The Roof)"

18. "Cherry Pink And Apple Blossom White"

19. "Liebesleid"

20. "Ich denk' an dich"

21. "Lara's Theme"

22. "The Last Waltz"

23. "So ein Tag, so wundersch?n wie heute"

24. "Help Yourself"

25. "Ob-La-Di, Ob-La-Da"

26. "Those Were The Days"

27. "O Cangaceiro"

28. "Capri-Fischer"

29. "Light My Fire

30. "Brown Eyed Woman"

Get it for your collection if you can, this is easy listening on a different plane!

ALAN

March 2026